If projects keep drifting
Use the project pages, monthly priorities and weekly actions to keep the next useful piece of work visible.
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A dated diary for writers who need more than appointments. Plan up to three active projects, decide what matters each month, protect writing time week by week, keep track of useful deadlines and leave yourself a clear route back into the work.
You may have a novel in progress, several shorter pieces, a competition deadline, a half-finished memoir, or simply a determination to write more consistently in 2027. The diary is designed to help you see what you are working on, what needs to happen next and where the writing fits into an ordinary week.
Use the project pages, monthly priorities and weekly actions to keep the next useful piece of work visible.
Put writing sessions, deadlines and practical tasks into the same dated week as everything else you have to do.
Review what actually moved, leave a clear next action and return to the work without having to reconstruct your plan every time.
The diary is not padded with generic writing advice. Each section is there to help you decide, schedule, review or act.
Record what each project is, where it stands, what progress would look like and what deserves attention first. Useful if you are balancing a main project with shorter work, submissions or a second idea.
Choose a manageable focus for the month rather than carrying the entire project around in your head. Use it for drafting, revision, research, submissions or a mixture of work.
Use the dated side for appointments, writing sessions and deadlines. Use the facing page for scenes, chapters, research, revision jobs, submissions, reading and anything else the writing needs that week.
Keep useful festivals, competitions, publishing dates and submission opportunities in view. Where details are liable to change, the diary points you to current information online rather than printing something that may become obsolete.
Record the work that actually moved the project forward, including planning, research, revision, problem-solving and submissions as well as drafting.
Finish sessions and reviews with something specific to return to, so the next session begins with an action rather than another decision about where to begin.
The weekly spread is the centre of the diary because that is where plans either turn into work or disappear.
Block out a Tuesday evening writing session. Note the Friday competition deadline. Put the library research trip beside the dentist appointment and the meeting. Writing becomes part of the real week, not something you are vaguely hoping to fit in.
Turn ‘work on the novel’ into something usable: revise chapter 6, decide what Helen wants in the kitchen scene, check train times for the 1984 research section, send the short story, or write the next 800 words.
A printed diary is useful because it is stable, visible and easy to return to. It is poor at holding information that changes, grows or needs to be reused. The companion page handles that part.
Project-planning resources for novels, short stories, poetry, collections, non-fiction and work being prepared for submission.
Writing-session planning, the WritersGroup Sprint Timer, Daily Prompt, Writing Rooms and practical resources for getting words onto the page.
Revision resources, progress tools and practical articles for working out what a draft needs next.
Current competition, literary-agent, submission and event information, with links to the original sources where appropriate.
Reusable worksheets and tools remain available after you have filled the relevant diary page, so you are not restricted to using an exercise once.
The structure is deliberately broad enough to work whether 2027 is about finishing one large project, producing shorter work, submitting more regularly or simply getting back into the habit of writing.
Break a large project into monthly priorities and weekly actions without pretending every week will be identical.
Keep stories, poems, essays or articles moving while tracking which pieces need drafting, revision or submission.
Keep deadlines and opportunities in view, then schedule the practical work needed before the submission date arrives.
Use smaller weekly actions and clear breadcrumbs to reduce the effort required to restart each time.
Space is used for planning, writing work, deadlines and review rather than one-line inspiration.
The diary supports a real writing year, including busy weeks, revision periods, research and pauses.
Editing a difficult chapter, solving a structural problem or sending a submission can matter just as much as drafting new words.
Keep projects, writing sessions, deadlines and next actions visible through the year, with the WritersGroup companion there when you need more detail, a reusable tool or current information.